Guide to Playing Diminished Seventh Arpeggios
                                            for ABRSM Grade 8 Piano - © Fergus Black 2011
             Start with Hanon's exercise for diminished sevenths - No. 42 - page 69 in the Schirmer edition. The 
             main difficulty for most pianists seems to be using all four fingers in an arpeggio, keeping the hand 
             extension needed - all the Hanon diminished sevenths start on white notes, and have the following 
             fingering pattern, with the thumbs together on the first quaver of each group of four.
             As with all scales and arpeggios, play legato - for the pianist that means joining the bottoms of the 
             notes together.
             h= 66 in the recommended minimum speed for ABRSM Grade 8.
                   h = 66                                   4      5    4               1    4    3
                        1    2    3    4          2     3   œ      œ   œ     3    2                    2
                   4                         1   bœ #œ                     #œ bœ                              1
              &4 œ bœ #œ œ                   œ                                          œ    œ #œ bœ          œ     Œ    Ó
                                                  4     3   2      1    2    3    2     1                     5
                                  3    2     1                                          œ    2    3
              ?4             4   #œ œ                                                ?       œ #œ      4
                        5   bœ                                     œ                                 bœ             Œ    Ó
                   4 œ                   &œ bœ #œ œ                    œ #œ bœ                                œ
             The following diminished sevenths all fall into the same category: they start on black notes, and the 
             thumbs of the two hands are on different white notes.
             N.B. I have shown the fingering pattern for multiple octaves. You can substitute a more convenient 
             finger for the opening black notes of the right hand, using the 2nd finger instead of the 4th in the c# 
             arpeggio, for example.
                                                                     #                                                  b      #
             For the diminished seventh arpeggio starting on c , remember that 3rd and 4th fingers are on b  and c . 
                                                                    b
             This is also the case for the dim 7th staring on b : they are essentially the same arpeggio, after all, it's 
             just that they start on different notes.
                    h = 66    2    3                           #œ
              & 4 1 œ bœ #œ œ œ bœ                                  bœ    œ œ        #œ bœ œ                       Œ     Ó
                    #œ œ                                                                             œ     #œ
                              1    4                                                 #œ
              ?           2   œ bœ                                               ?        bœ    œ
                     3    œ                            bœ      #œ bœ                                 œ             Œ     Ó
                    #œ                &#œ œ œ                             œ œ                              #œ
                    h = 66     1    2                         bœ
              & 3 4 œ œ bœ #œ œ œ                                   œ    œ #œ bœ        œ    œ                   Œ      Ó
                    bœ #œ           1  bœ #œ      œ    œ      bœ    œ    œ #œ bœ                 #œ      bœ
              ?                2    œ                                                   œ
                     4    3    œ                                                             œ                   Œ      Ó
                    bœ #œ                                                                        #œ      bœ
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                Guide to Playing Dominant Seventh Arpeggios for ABRSM Grade 8 Piano - © Fergus Black 2011
                                                      ___________________________
                                                               b                                            b
            For the diminished seventh arpeggio starting on e , remember that 3rd and 4th fingers are on e  and on 
            f#. Also for the dim 7th starting on f#.
                  h = 664   1   2                        bœ
                   3        œ œ      bœ #œ œ œ                œ   œ #œ       bœ   œ œ                  Œ     Ó
             &bœ #œ                                                                       #œ     bœ
                            2   1                                            bœ
                   4    3   œ œ                          bœ                       œ œ
             ?bœ #œ               &bœ #œ œ œ                  œ   œ #œ ?                  #œ     bœ    Œ     Ó
                  h = 66        3    #œ œ œ bœ           #œ bœ œ œ           #œ
                           2  bœ                                                  bœ
                       1   œ                                                           œ                Œ    Ó
             & 4 œ                                                                         œ
                  #œ                                                                             #œ
                           1    4                                            #œ
                   3   2   œ bœ                                                   bœ   œ
             ?#œ œ                 &#œ œ œ bœ            #œ bœ œ œ ?                       œ     #œ     Œ    Ó
                                                               b
            For the diminished seventh arpeggios starting on a , keep the 4th fingers of both hands together on 
             b
            a .
                  h = 66                         œ     bœ    œ
             & 4 1 2 3 bœ œ œ                                    œ   œ bœ                           Œ      Ó
                  bœ   œ    œ   œ                      bœ                     œ   œ    œ    bœ
                   4   3    2   1  bœ    œ   œ   œ           œ   œ   œ bœ
             ?bœ œ œ œ                                                        œ   œ    œ    bœ      Œ      Ó
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