140x Filetype PDF File size 0.87 MB Source: www.sudnow.com
Sudnow Dot Songs™ Misty TM The Dot Song is a notational system that depicts voiced chords in a way where the ‘non-music reader’ can find these fairly readily. But the Dot Song is not intended to be “read”, not as a sight reader reads a piece of music. The main advantage of these Dot Songs is that they force you to look at the keyboard - on the page and down beneath you. And seeing the keyboard IS an important part of learning to play tunes without reading standard notation, seeing it for working out your own arrangements of tunes. www.sudnow.com David Sudnow (C)2015 THE SUDNOW METHOD, LLC - ALL RIGHTS RESERVED v1.3 Johnny Burke Misty Erroll Garner NOTE: IF you download the pdf version of this file: Clicking the beginning of any line in " the lead sheet to the right will take you to the corresponding page of the dot song format. Fm7 B E Bbm7 E Clicking the symbol below on the dot song page will bring you back here: '' 4 ) , ) ) ) ) ) ( '4 ) ,*, ) ) ') ) ) Look at me I'm as help less as a kit ten up a A Abm7 D # 3(''' & 3 3 ) ) ) ) ) ), ) * ) ) ) ) PLEASE READ: tree and I feel like I'm cling ing to a cloud, I E Cm7 Fm7 B To Coda 1. G C B You can (and should) play the dot songs without using this sheet or thinking # Fm7 about the ‘fractions’ on the left side of each dot diagram - but human nature being 5 '' ) # 3 $ ) , what it is, you may be curious about how it all fits together. To whit: ( ' ) ) ) ) ) ) ) ) ) ) ) + * ) , The Dot Songs™ are intended to be a transitional format, leading to your ability to use lead sheets like the one shown to the right. (See the ‘Getting Started’ page for can't un der stand, I get mist y just hold ing your hand. Walk my information on how to buy legal fake books.) To that end, the keyboard diagrams in the following pages have at the top of each 2. E Abm7 E Bbm7 E Bbm7 E page the section of this lead sheet to which the diagrammed chords correspond - chord 9 ' ') ) ) ) * ') ) -) ') ) #3 in the dots is chord #3 on the lead sheet. (' ' + $ ) ) ) ) ) $ You can use this sheet to help you get an overall look at the entire song but it’s not 3 3 necessary for you to understand it at this point. near. You can say that you're lead ing me on, but it's just what I *If you have not yet listened to the Weekend Seminar section regarding doing your own voicing, some of this - including the fraction notation on the diagrams to follow - may A Bbm7 A Am7 D not be clear. ' (Note that all of the lyrics are not included in this format.) 13 ' ' ) ) ) ) * $ ) ) ) ) ) ) ) * www.sudnow.com ( ) ) 3 want you to do, don't you no tice how hope less ly I'm lost, Am7 D Gm7 C Fm7 B D.S. al Coda ' ) 16 ' ' ) ) ) ) ) ) + * $ ) ( 3 ) that's why I'm fol low ing you. On my MISTY ! Music by ERROLL GARNER, Lyrics by Johnny Burke E © 1954, 1955 (Copyrights Renewed) OCTAVE MUSIC PUBLISHING CORP. This Arrangement © 2015 OCTAVE MUSIC PUBLISHING CORP. 19 ' All Rights Reserved (' ' % Used by Permission of ALFRED MUSIC + * love. 2 TM (1) (2) (3) (4) (5) arranged by David Sudnow Misty (1) Fm7 Comments/notes M Look (Bb) 9 b7 5 b7 Note that the web-based lesson on playing ‘Misty’ talks about Root b7 5 b7 9 M(11) counting out the melody. The triplets (the groups of notes shown above with the ‘3’ above them) can make this challenging. It’s (2) Bb7 usually best to just tap your foot or nod your head and let yourself M feel where new measures start. The specific time value of #11 at (G) individual notes is not that important in this context. 3 b9 See also, on the Student Resources page, the section on “Using b7 fake books”. Root b7 b9 3 #11 M(13) (3) Eb M me (D) 5 Feel free to add your own notes in this section - and refer to 3 I’m Bb the recorded lesson on the web site -or check the forums- if 9 as C things are not clear. 5 Root 5 9 3 5 M(7) (4) Bbm7 M help- Db b7 less (C) 5 as C b3 a C b7 Strike root first Root b7 b3 5 b7 M(9) (5) Eb7 M kit- (C) #11 -ten Bb 3 up G b9 a Eb b7 Root b7 b9 3 #11 M(13) 3 v 1.2 TM (6) (7) (8) (9) (10) Misty (6) Ab tree (C) Comments/notes M and G 9 I Ab 7 feel C 5 like Eb I’m G Root 5 7 9 M(3) (7) Abm7 M cling- (Bb) b7 5 -ing Bb b3 to Bb b7 a Ab Root b7 b3 5 b7 M(9) (8) Db7 M cloud (Bb) #11 3 I Ab b9 b7 Root b7 b9 3 #11 M(6) (9) Eb can’t (G) M 9 un- Ab 6 -der Bb 5 Root 5 6 9 M(3) (10) Cm7 -stand (Eb) M 9 I F b7 get G Root b7 9 M(b3) 4 v 1.2
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