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China Constructs: Architecture, Labor, and Value on a Chinese Construction Site by Will Thomson A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Anthropology New York University September, 2015 _____________________ Angela Zito ProQuest Number: 3740853 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. ProQuest 3740853 Published by ProQuest LLC (2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI 48106 - 1346 Acknowledgements It is fitting that academic books and dissertations begin with acknowledgments and end with bibliographies. This project of researching and writing made me keenly aware how everything we try to say is bookended by deep intellectual and personal debts of various kinds. I am grateful for the support, advice, and friendship of many extraordinary people in the university setting and in the field. For the better part of the past decade, my world centered around Xi’an and Washington Square, two places with which I feel a great deal of affinity and destiny, to paraphrase the Chinese term yuanfen. Formally, the word connotes a preordained connection with people or places. Guanxi is the Chinese concept of relations more familiar to English speakers, introduced through countless manuals on networking for doing business in China. However, yuanfen better captures a sensibility of the significant stakes of all our relationships. In its daily use, evoking yuanfen transforms circumstantial coincidences into cosmological connections, by recognizing our dependence on improbable alignment of connections that produce any moment. I want to express my gratitude to those who through circumstance and fate I have been lucky to meet and whose support helped bring the improbable to fruition. My advisers in graduate school each made deep impressions on my scholarship and my life. My chair, Angela Zito, supported me as a second line of defense throughout graduate school, always steering me towards better and more important work, and through example, she demonstrated how to commit to ideas and how to live them in practice. Sally Merry provided a model of the best of engaged anthropology, an intellectual style that is at once pragmatic, understated, and radical, by confidently ii interrupting elite conversations and privileged discourses with anthropological insights. Emily Martin’s support kept me going on numerous occasions. Her consistent encouragement gave me confidence to experiment and a broad space to think. In the early stages of my project planning, I gained a huge amount from studying under Setha Low and Andrew Ross. Both also gave their time and consideration by joining my defense and offering important advice. Victoria Hattam read several early chapters, worked with me to expand my scope and perspective, and she pushed me to articulate some of the key themes in this project. The Anthropology Department of NYU was a rewarding social and intellectual space to learn. In particular, I am grateful to Bruce Grant, Tom Abercrombie, Fred Myers, and Susan Carol Rogers. Additionally, this project benefitted directly from coursework with Renato Rosaldo, Harvey Molotch, and Don Kulick. I am glad to have overlapped with so many amazing students in my time at NYU. Thanks to: Chantal White, Yasmin Moll, Vanessa Agard-Jones, Barbara Andersen, Wenrui Chen, Damien Stankiewicz, Rebecca Howes-Mischel, Robert Chang, Alison Cool, Dwai Banerjee, Hyejin Nah, Natasha Raheja, Amy Lasater, Eugenia Kisin, and Rachel Lears. Thanks to Pilar Rao, Ayako Takamori, and Lydia Boyd for taking me under their wings when I came to the department. As my madrina, Sandra Rozental always has my back in New York and Mexico City. Anna Wilking and Louis Römer helped by reading, commenting, and commiserating. Graham Jones is magic. My longtime friend Elizabeth Reich helped me make sense of academia. Ram Natarajan has been a great colleague and friend in New York and Boston. iii
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